ART 101 Computer Art (3) (A)
Explores the computer as an art-making tool. Includes practice exercises to learn software. Topics include photo manipulations, the use of color, typestyles, page design and composition. Students apply these concepts and skills to original, digital artworks. Studio class. Lab fee. Offered each semester.
ART 105 Introduction to Studio Art (3) (A)
Introduces the basic studio materials and techniques for making art in a variety of media which may include painting, drawing, ceramics, sculpture, printmaking, crafts, fibers, and/or electronic technology. Includes lectures, demonstrations, studio participation and production, museum and/or artist studio visits, and related historical information. Studio class. Lab fee. Offered inýselected Winter Sessions.
ART 110 Representations of Space (3) (A)
Uses studio exercises and group critiques of class projects to explore visual perception and two-dimensional representation of the world. Students explore traditional drawing techniques and photographic imagery to develop a repertoire of intellectual, visual, and graphic techniques. Offered in selected Winter Sessions.
ART 111 Drawing I (3) (A)
Acquaints students with the basic concept of drawing with various media, including pencil, charcoal, chalk, and pen and ink. Experiences in skill-building exercises are emphasized as well as their practical application. Studio class. Offered each fall.
ART 112 Painting I (3) (A)
An examination of basic painting techniques. Students study and experiment with a variety of painting experiences, including watercolor, acrylics, and oil types. Numerous kinds of applications are employed on various working-surface materials. Students use these experiences to create their own pictorial interpretations. Studio class. Offered each fall.
ART 117 Ceramics (3) (A)
Structured to provide an introduction to ceramic art production, balanced with ceramic art history, criticism and aesthetics. Course topics include the development of techniques for hand-building and throwing on the potters's wheel, clay and glaze preparation, glazing and kiln firing. The course provides students of all skill levels with a solid foundation in ceramics, to advance the student to a higher level of art production. Studio class. Lab fee. Offered each semester.
ART 200 Study Abroad (3)
ART 210 Raku Ceramics (3) (A)
Introduces the materials and techniques for making Raku type ceramics. Topics include basic forming techniques, clay properties, glazes, surface development, firing equipment and techniques, and related historical information. Studio class. Lab fee.
ART 211 Sculpture I (3) (A)
Explores the possibilities of sculptural form and three-dimensional problem solving through materials such as cardboard, paper, clay, plaster, wood, wax, etc. Emphasis is placed on the understanding of three-dimensional concepts of relief and sculpture-in-the-round through carving, modeling, and constructing. Studio class. Lab fee.
ART 212 Sculpture II (3) (A)
Deals with the sculptural concepts of the 19th and 20th centuries. A variety of materials are used to develop the concepts of mobiles, modules, and constructions, with an emphasis on the creative approach. Studio class. Lab fee.
ART 218 Ceramics II (3) (A)
A continuation of Ceramics I with special emphasis on wheel techniques and thrown forms. Students experiment with different clays and glazes and have the opportunity to fire their own works. Prerequisite: ART 117 or consent. Studio class. Lab fee.
ART 221 Fibers (3) (A)
Investigates the possibilities of fibers as a craft material. Includes basic concepts and techniques of selected fiber arts processes which may include: weaving, batik, papermaking, fabric enrichment, and basketry. Studio class. Lab fee.
ART 222 Weaving & Mosaics (3)
Investigates the concepts and techniques of weaving and mosaics. Basic weaving techniques with a variety of looms are used with an emphasis on creativity. Mosaics are accomplished with purchased, found, and hand-made tesera. Studio class. Lab fee.
ART 223 Jewelry (3) (A)
Basic jewelry techniques are explored in an effort toward creative jewelry. A variety of materials such as metals, plastics, natural and manmade fibers are used, along with techniques such as cutting, soldering, planishing, enameling and etching. Emphasis is placed on basic design and craftsmanship. Studio class. Lab fee.
ART 225 Photography (3) (A)
Explores photography as an art form. Topics include the control of basic camera functions, digital media and film composition, artistic techniques, and laws impacting the use of photos. Students must supply their own digital or 35mm film camera with manual control options. Students are responsible for the commercial development of all prints. Studio class.
ART 300 Study Abroad (3)
ART 301 Digital Imaging (3)
Explores the computer as a tool for personal expression and production of artworks. Aesthetic topics concentrate on the effective use of color and composition in original digital projects. Topics include intermediate features of art software and web-based portfolios. Studio course. Lab fee. Prerequisite: ART 101.
ART 303 Graphic Design (3)
An introduction to the tools, methods, principles and practice of graphic design. Topics include visual communication, the use of type, the importance of visual research to design, communicating with vendors, clients and audiences, and the efficient use of graphics software. Students create an interview-quality portfolio. Lab fee. Prerequisite: ART 101 or JOUR 303.
ART 305 Drawing II (3)
An in-depth concentration on skills and methods learned and experienced in ART 111 with emphasis placed on individual creativity, composition and drawing as an aesthetic. Prerequisite: ART 111 or consent.
ART 306 Painting II (3)
An in-depth concentration on two major areas of painting--watercolor and collage. Students build on painting concepts and skills learned and experienced in ART 112. Prerequisite: ART 112 or consent.
ART 307 Travel Photography (3) (A)
A studio course featuring on-location photography. Includes travel to specific locations, regions or foreign countries. Topics include improving photographic skills, experiencing local art and culture and creating interpretations of travel experiences. Students must provide their own digital camera. Travel may be physically demanding. Course may be repeated for additional credit. Prerequisite: consent. Offered in selected winter and summer sessions.
ART 310 Clay Sculpture (3) (A)
Designed around the possibilities of sculptural form in clay with the emphasis on handbuilding methods. Finishes and firing techniques are covered as are the elements of sculpture. Studio course. Lab fee. Prerequisite: ART 117, 211 or consent.
ART 311 Advanced Paint: Abstract Approach (3)
Investigates the abstract approach to painting. Examines the source of abstract design in both natural and man-made forms. Students produce abstract designs and realistic paintings using abstract principles. The traditional painting media of oil and acrylic is used as well as a variety of materials in combination with them. Studio class. Students are expected to do research and to work on projects outside class. Prerequisites: ART 111 and 112 or consent.
ART 312 Advanced Paint: Realistic Approach (3)
Students study and experiment with various styles of painting. A variety of techniques are used ranging from the loose and free applications of paint to those that are restrained and precise. Students are expected to do research and to work on projects outside class. Prerequisites: ART 111 and 112 or consent. Studio class.
ART 315 Printmaking (3)
A theoretical survey and practical application of printmaking processes with (primarily) black and white media. These processes are explored through studio projects which consist of intaglio, blockout, relief, and resist printmaking methods. Prerequisite: junior status or consent.
ART 316 Mixed Media (3) (A)
Integrates traditional art materials and skills with digital technology. Exercises introduce processes for experimentation; projects allow for individual interpretation. Topics may include using a variety of found and purchases materials for collage, image transfer texture, surface treatment, book binding working in three-dimensions, computer skills, and presentation. Studio class. Lab fee.
ART 317 Drawing the Human Figure (3)
Working from life, students study the male and female figure through the use of the traditional drawing media such as chalk, charcoal, pencil, ink, and paint. Understanding body structure and how to interpret it is stressed. Prerequisites: ART 111 and 112 or consent. Studio class.
ART 318 Ceramics II (3) (A)
A continuation of Ceramics I with special emphasis on wheel techniques and thrown forms. Students experiment with different clays and glazes and have the opportunity to fire their own works. Prerequisite: ART 117 or consent. Studio class. Lab fee.
ART 319 Studio Art Teaching Assistant (1)
Allows qualified students to assist art instructors in the teaching of their classes. Pass/fail grading. Prerequisite: consent. Offered each semester.ý
ART 320 Photography II (3)
Intermediate course exploring digital photography. Emphasis is placed on aesthetics and developing personally meaningful content for portfolios. Additional topics include digital photo retouch, color correction, digital printing and creative computer techniques. Students must supply their own digital camera with manual controls. Students are responsible for the commercial development of prints. Prerequisite: ART 225. Offered each spring.
ART 321 Advanced Ceramics: Technical (3)
An advanced course designed around basic glaze chemistry and reduction firing techniques, where students develop their own glazes and fire their own ware. Emphasis is on the technical aspects as they apply to the students' creative work. Prerequisites: ART 117 and 318 or consent. Studio class. Lab fee.
ART 322 Fibers (3) (A)
Investigates the possibilities of fibers as a craft material. Includes basic concepts and techniques of selected fiber arts processes which may include: weaving, batik, papermaking, fabric enrichment, and basketry. Studio class. Lab fee.
ART 323 Advanced Ceramics: Individual Interpretation (3)
Designed around the students' selection of projects which have particular meaning and challenge to them. Research and work outside class is expected. Emphasis is placed on the students' development. Prerequisites: ART 117 and 318 or consent. Studio class. Lab fee.
ART 324 Weaving & Mosaics (3)
Investigates the concepts and techniques of weaving and mosaics. Basic weaving techniques with a variety of looms are used with an emphasis on creativity. Mosaics are accomplished with purchased, found, and hand-made tesera. Studio class. Lab fee.
ART 326 Jewelry (3) (A)
Basic jewelry techniques are explored in an effort toward creative jewelry. A variety of materials such as metals, plastics, natural and manmade fibers are used, along with techniques such as cutting, soldering, planishing, enameling and etching. Emphasis is placed on basic design and craftsmanship. Studio class. Lab fee.
ART 411 Advanced Painting: Individual Interpretation I (3)
Provides painting experiences that lead to an understanding of composing in two-dimensional pictorial space. An important part of this course is the students' selection of certain projects which have a special meaning and challenge to them. Research and work outside class is expected of all class members. Prerequisites: ART 111 and 112 or consent. Studio class.
ART 412 Advanced Paint: Individual Interpretation II (3)
Provides painting experiences that lead to an understanding of composing in two-dimensional pictorial space. An important part of this course is the students' selection of certain projects which have a special meaning and challenge to them. Research and work outside class is expected of all class members. Prerequisites: ART 111 and 112 or consent. Studio class.
ART 418 Painting the Human Figure (3)
Working from life, students render and interpret the human figure using the traditional painting media of oil, acrylic, and watercolor. An understanding of body structure is emphasized and how to represent it using various painting techniques. Basic elements of portraiture will also be touched upon. Prerequisites: ART 111, 112 or 317, or consent. Studio class.
ART 423 Advanced Ceramics: Individual Interpretation (3)
Designed around the students' selection of projects which have particular meaning and challenge to them. Research and work outside class is expected. Emphasis is placed on the students' development. Prerequisites: ART 117 and 318 or consent. Studio class. Lab fee.
ART 424 Advanced Ceramics: Production (3)
Designed for continued growth and exploration in this media with special emphasis on production techniques. An important part of this course is producing, showing, and surviving in the potter's craft. Prerequisites: ART 117 and 318 or consent. Studio class. Lab fee.
ART 450 Studio Art Seminar (3)
Advanced studio art course based on the development and presentation of a research project, created with guidance from faculty, and the acquisition of professional skills appropriate to arts-related careers. As evidence of artistic accomplishment each student develops a thematically focused body of work. The exhibition of this body of work along with a gallery talk and an explanatory research paper fulfill the exit requirement for the studio art major. Prerequisite: consent. Offered each spring.
MUSART 201 An Introduction to Music and Art in the Western World (3) (A)
ARTH 201 Music & Art in Western World (3) (A)
Identical to MUS 201.
ARTH 225 The Photograph (3)
A history of photography from its invention in 1839 to the present. The course investigates within their historical context the major categories of photography, such as portraiture, documentation, photo-journalism, and art photography.
ARTH 231 Ancient & Medieval Art (3) (H)
A survey of the visual arts and how the arts functioned in culture from Prehistoric cave paintings to the art and architecture of late Medieval Europe. The course concentrates on the Western tradition of painting, sculpture, and architecture. Offered each fall.
ARTH 232 Renaissance to 20th Century Art (3) (H)
A survey of the visual arts, and the relationship of the visual arts to social, cultural, and political history from the Renaissance period to the Modern era. The course concentrates on the European tradition of painting, sculpture, and architecture, and pays particular attention to the changing social role of artists and the development of the modern definitions of "fine art." This course is a chronological continuation of ARTH 231, but the latter is not a prerequisite. Offered each spring.
ARTH 233 Art of Africa, Asia, Americas (3)
Surveys the long-lived art traditions of diverse global cultures, including Africa, India, China, Japan, the Pacific, and Pre-Columbian and Native America.
ARTH 341 American Art (3) (H)
A history of the visual arts in America from pre-colonial to modern times. Particular attention is paid to the relationship of the visual arts to social and political history, and the issue of "American identity" in the arts.
ARTH 351 19th Century Art History (3) (H)
A history of European and American art from the era of the French Revolution to the end of the nineteenth century. The works of major artists, such as David, Goya, Turner, Manet, Monet, Van Gogh, Munch, etc., are investigated within their historical contexts.
ARTH 352 20th Century Art History (3)
A history of artists, works and movements of 20th-century European and American art investigated within their historical contexts.
ARTH 360 Topics in Art History (3)
An in-depth study of some particular period of art history or some disciplinary aspect or problem. May be repeated for credit as topic varies.